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Patrick Doyle Thor Ost Download Torrent
Patrick Doyle Thor Ost Download Mp3
Patrick Doyle Thor Ost Download Mediafire
Patrick Doyle Thor Ost Download Torrent

Home / Industry Spotlight / Interview With Composer Patrick Doyle

Save those piddling electronic action scores for mere mortals. For if there’s one composer who’s brought down the symphonic thunder of the composing gods, then his name would be inscribed as Patrick Doyle. Receiving his musical and acting education in his native Scotland, Doyle’s dual artistic threats would strike up a winning collaboration with Kenneth Branagh, whom Doyle beat for an actual billing when both starred in CHARIOTS OF FIRE. But Branagh would scantly toil in the background for long, as his theatrical flair allowed him to take a 9 million dollar gamble behind, and in front of the camera with 1989’s HENRY V. Doyle’s natural talent for trumpeting, orchestral melody (not to mention his award-winning way with Latin choruses) sounded him off like a lightning bolt- a storm that was about to explode when he and Branagh went Hollywood for 1991’s stylistically dazzling romantic thriller DEAD AGAIN.

The soundtrack from Thor: Ragnarok, a 2017 Movie, tracklist, listen to all the 23 full soundtrack songs, play full OST music & 1 trailer tracks. View who sings all the songs, stream 9 additional tunes playlist, and credits used in the movie. Read scene descriptions after the film plays at the cinema. Follow Soundtrack Specialist on facebook: Music Composed by Patrick Doyle in 2011; Conducted by Diego Navarro; P.

The two decades since have seen Branagh and Doyle collaborate on over a dozen films, from the Shakespearean lyricism of AS YOU LIKE IT to the Oscar-nominated royalty of HAMLET, as well as the eccentrically jazzy murder games of SLEUTH and the bombastic thrills of FRANKENSTEIN. Though he’s played it smaller for such scores as BRIDGET JONES’ DIARY and the Oscar-nominated SENSE AND SENSIBILITY, Doyle’s most entertaining scores have always involved a surfeit of melody, whether it be the breathless crime thrills of CARLITO’S WAY, the rustic fantasy of SECONDHAND LIONS, THE LAST LEGION’s noble Roman adventure, or neatly fitting into the fantasy world of HARRY POTTER AND THE GOBLET OF FIRE.

It’s seems almost amazing that Doyle hasn’t scored a comic book blockbuster, let alone survived in the relentlessly youth driven world that’s sent many melody-heavy old-school composers to The Phantom Zone. But Doyle’s a survivor (quite literally when it came to overcoming a bout with cancer), more than possessed of the heroic lifeblood to take on the challenge of Branagh’s THOR. But then with their background in high theater, these Warriors Two are exactly the right men to take on Marvel’s most fantastical superhero, especially when he and his godly relatives are traveling between the Nordic heaven of Asgard to the backwater planet of Earth via a Rainbow Bridge.

Where the English-born Branagh delivers on the Kirby-an thrills, Doyle employs his powerhouse sound for a score that blasts both cosmic nobility and humanity, hitting all of the propulsive VFX notes with the lush grandeur that is the composer’s birthright. Yet for characters a few millennia old, Doyle’s solidly thematic approach is unusually fresh, with a symphonic rock fusion and rhythmic pulse that’s very much part and parcel of today’s pop-rhythm driven action scores. Yet Doyle has sacrificing none of his lush blood and thunder in the bargain. If anything, the sounding majesty and contemporary action stylings of THOR just might have herald Branagh and Doyle’s next Hollywood big Hollywood step two decades after DEAD AGAIN with its visual and aural grandeur.

Now taking a brief break as he dodges the simians of his next effects blockbuster RISE OF THE PLANET OF THE APES, Doyle talks about capturing the glory that is the Marvel Universe with THOR.

THOR is your most high-profile work yet with Kenneth Branagh. Were you at all daunted when he approached you with your first blockbuster superhero score? And was there any convincing that had to be done with Marvel to give you this shot?

It is the most commercially high profile film I have done since FRANKENSTEIN. But I was not daunted, as I have great trust in our working relationship. I’m a huge fan of science fiction, mythology and especially all of the Marvel films, so it was very exciting to get the chance to score THOR. I understand Kevin Feige, who is the head of Marvel, liked my music and he and the studio was very happy with Ken’s choice.

Were you at all familiar with THOR’s universe before taking the movie on? And if not, did you grab a bunch of comic books before scoring began to immerse yourself?

I am very familiar with the Thor universe, as it is all part of a mythology that includes Wagner’s Ring cycle and the Scandinavian musical culture where Thor springs. It is very intertwined with my own Celtic background, which has its own mythology.

Patrick Doyle Thor Ost Download Torrent

Could you tell about Kenneth views the role of film music, particularly in a fantasy epic like THOR?

Ken wanted the score to have a contemporary feel, which I concurred with. I was also eager for the score to contain a strong sense of melody, which he responds to in my work. He was keen, as indeed I was, that the grand images were not in any way hyperbolized, and that there would be a balance between playing with, and against the images.

Do you think there’s a commonality to the “superhero” score? And how did you and Kenneth want to make the movie, and music of THOR stand out from them?

I suppose the main challenge in THOR was to come up with a superhero theme, and the main theme that represents Asgard, the home of Thor, I wanted the latter to come across as an old folk song from a Celtic world, which, as I mentioned before, I was raised in. This melody had a development that became the traveling, action and fighting theme. Everyone responded very well to these two themes in addition to the theme that represented the world of Jotunheim. It gave me enormous satisfaction, as this brand new comic book to film hero gave me this kind of free thematic palette.

With all of Thor’s family problems, do you think there’s a Shakespearean quality to this saga that ties into your earlier work with Kenneth?

Thor’s family problems, in Asgard as well as on Earth, are (pardon the pun) universal. There are many family dilemmas in Shakespeare’s plays, especially in King Lear, Hamlet, As You Like It and Ma